‘Beauty and the Beast at supper’ illustration for Beauty and the Beast (1875), watercolour, gouache and shell gold on paper. Private collection.

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Final illustration for Beauty and the Beast 

Untitled (date unknown), ink on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (Napoule)

Teremok [The cabin]

Untitled (1863), ink on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (Ruined Farm)

Untitled [David] (date unknown), ink and paper on pencil. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (David)

Untitled (1855), ink, gouache and pencil on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled

Untitled (illustration for A Book of Heavenly Birthdays), c. 1893, Eleanor Vere Boyle, Courtesy of Clarissa Daulby and Rose de Wend Fenton

Untitled (illustration for A Book of Heavenly Birthdays)

Untitled illustration for Beauty and the Beast (1875), watercolour and gouache on paper. Private collection.

Handmade book for Margot (1960), Ink and collage on paper, © Jacqueline Ayer, Courtesy of Bet Ayer

Untitled (Handmade book for Margot)

Untitled (1893), ink on paper. Courtesy of Clarissa Daulby and Rose de Wend Fenton.

Untitled (illustration for A Book of Heavenly Birthdays, 'The Shadow Waiting with the Keys')

NELSON MANDELA - symbol of the anti-apartheid struggle, 1989, Alberto Blanco González, offset lithograph poster © OSPAAAL / Victoria and Albert Museum, London

NELSON MANDELA - symbol of the anti-apartheid struggle

Untitled (illustrations for A Book of Heavenly Birthdays), c. 1893, Eleanor Vere Boyle, Courtesy of Clarissa Daulby and Rose de Wend Fenton