UK
Untitled (Haddo House), Date unknown
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
Jo Brocklehurst, Untitled (portrait of Liz de Havilland), 1995
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1990s, Brocklehurst began drawing the fashion designers and performers finding space for experimentation in the fetish clubs of Soho and King’s Cross.
Jo Brocklehurst, Untitled (portrait of Tony Drayton), 1981
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1980s, Brocklehurst drew a series portraits of members of the Kill Your Pet Puppy collective who were living in a squat close to her studio. Attracted to their anarcho-punk dress and ethos, she said “I felt that they understood very well what was going on in the world, what was in it for them”. This portrait is of Tony Drayton, founder of Kill Your Pet Puppy and punk fanzine Ripped And Torn.
Jo Brocklehurst, Untitled (portrait of Betty Blue), 1994
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1990s, Brocklehurst began drawing the fashion designers and performers finding space for experimentation in the fetish clubs of Soho and King’s Cross.
Jo Brocklehurst, Man in a Green Suit (portrait of James ‘Biddie’ Biddlecombe), 1979
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. Man in a Green Suit is a portrait of performer James ‘Biddie’ Biddlecombe around the time he was performing cabaret at London’s Blitz Club with Eve Ferret. In 1980 it was shown in the ICA exhibition Women’s Images of Men.
Jo Brocklehurst, Untitled (portrait of Angie), 1984
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1980s, Brocklehurst drew a series portraits of members of the Kill Your Pet Puppy collective who were living in a squat close to her studio. Attracted to their anarcho-punk dress and ethos, she said “I felt that they understood very well what was going on in the world, what was in it for them”. This portrait is of Tony Drayton, founder of Kill Your Pet Puppy and punk fanzine Ripped And Torn.
Jo Brocklehurst, Untitled (portrait of Isabelle Bricknall and Anthony Gregory), 1995
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1990s, Brocklehurst began drawing the fashion designers and performers finding space for experimentation in the fetish clubs of Soho and King’s Cross. This portrait is of Brocklehurst’s regular collaborator Isabelle Bricknall, whose collection of steel ‘body armour’ (constructed by Anthony Gregory) was designed as ‘protection’ for nights on the fetish scene.
Content warning: strong language
Jo Brocklehurst, Untitled (portrait of Fia Bergsren), 1995
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1990s, Brocklehurst began drawing the fashion designers and performers finding space for experimentation in the fetish clubs of Soho and King’s Cross.
Jo Brocklehurst, Ruber Angel (portrait of Isabelle Bricknall), 1994
Jo (Josephine) Brocklehurst (1935 - 2006) studied at Central Saint Martins and began her career as a fashion illustrator. She later focused on portraiture, drawing directly from models at her studio in West Hampstead and in nightclubs and theatres in Berlin, London and New York. Her work documents the alternative subcultures of the 1970s, 80s and 90s that went on to shape mainstream fashion and performance scenes. In the 1990s, Brocklehurst began drawing the fashion designers and performers finding space for experimentation in the fetish clubs of Soho and King’s Cross. This portrait is of Brocklehurst’s regular collaborator Isabelle Bricknall, whose collection of steel ‘body armour’ (constructed by Anthony Gregory) was designed as ‘protection’ for nights on the fetish scene.
Content warning: strong language
