Beard
Untitled illustration for Jackanory (Just So Stories: The Butterfly who Stamped) , 1973
Janina Ede (1937-2018) created covers and illustrations for over 100 books in the 1960s, 70s and 80s. Many of her illustrations feature animals, which she drew from life. In the 1970s, Ede was commissioned to create large colourful illustrations for the BBC children’s television series, Jackanory. Each episode was dedicated to a story read by an actor, while specially commissioned illustrations were shown on screen during each programme. Some of these illustrations were for programmes featuring stories by author Rudyard Kipling. His ‘Just So’ stories were short tales that imagined how various animals attained their distinguishing features. Kipling set the stories in parts of India, West Asia and Africa. His descriptions of places and people included racist and exoticised stereotypes. Ede’s illustrations draw extensively on Kipling’s descriptions, and therefore reflect the racism in his work, as well as the prevailing stereotypical views that existed in 1970s Britain. Her own personal views are not documented. This storyboard illustration was produced by Janina Ede for Jackanory episode #1453, 'Just So Stories - The Butterfly that Stamped'. It aired on 4 January 1973.
Untitled, 1969
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. Alfredo Rostgaard’s poster depicts Jesus Christ carrying a rifle on his back. On the reverse of the poster is a quote from Camilo Torres, a Roman Catholic priest and guerrilla who fought with the revolutionary Colombian National Liberation Army. Torres combined his religious faith with Marxist politics and believed that “If Jesus were alive today, he would be a guerrillero”.
Content warning: weaponry
Untitled, Date unknown
Eleanor Vere Boyle (1825 – 1916) illustrated poetry and prose by some of the most popular authors of her time. She regularly drew and painted using ink and watercolour, sketching landscapes, animals and her children from life. She also made drawings from her imagination, often reflecting spiritual themes.
CREATE TWO, THREE...MANY VIET-NAMS, THAT IS THE WATCHWORD, 1967
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. The first edition of OSPAAAL’s Tricontinental magazine was a special supplement dedicated to Che Guevara’s Message to the Tricontinental. His manifesto presented Vietnamese Communists opposing U.S. military forces in Vietnam as a model for patriotic resistance. It contained the only poster of the guerrilla leader made during his lifetime – Guevara was killed in Bolivia six months after its issue. OSPAAAL’s designers often used repetition of photographic as a way to create bold illustrations with limited resources. The studio’s first art director Alfredo Rostgaard said that “from the need to solve our material problems, we began to discover new forms”
DAY OF SOLIDARITY WITH THE CONGO (L) FEBRUARY 13, 1972
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. Patrice Lumumba was the first Prime Minister of the Democratic Republic of the Congo, following the country’s independence from Belgian colonial rule. This poster promotes a day of solidarity with the country on the date that Lumumba’s assassination was announced. It combines Lumumba’s profile with an outline of the African continent to recognise his role as a leader in the Pan-African movement.
HIROSHIMA - SOLIDARITY WITH THE JAPANESE PEOPLE, 1972
Between the 1960s and 1990s, more than fifty designers worked at OSPAAAL (the Organisation of Solidarity with the People of Africa, Asia and Latin America). Based in Cuba, they made magazines and posters that were sent around the world. Their aim was to promote radical political ideas. Many of their posters celebrate socialist revolutions and liberation movements from the Global South. OSPAAAL marked the date of the atomic bombing of the city of Hiroshima by the U.S.A. as a day of solidarity with Japanese citizens. By collaging fragments of a photograph and burned paper, Daniel García stressed the horrific consequences of deploying nuclear weapons. OSPAAAL’s designers regularly used adapted photographs from the organisation’s news desk. Photographs were sometimes used out of context, with the same photographs appearing in posters and magazine illustrations to represent different themes. The identity of the person in this photograph is not recorded.
Content warning: Injury, burns
